South

The Disciples of Christ, one of the first Christian faiths to have originated in America, was established in 1832 in Lexington, Kentucky, by the union of two groups led by Alexander Campbell and Barton W. Stone. The modern churches resulting from the union are known collectively to religious scholars as part of the Stone-Campbell movement. If Stone and Campbell are considered the architects of the Disciples of Christ and America's first nondenominational movement, then Kentucky's Raccoon John Smith is their builder and mason. Raccoon John Smith: Frontier Kentucky's Most Famous Preacher is the biography of a man whose work among the early settlers of Kentucky carries an important legacy that continues in our own time. The son of a Revolutionary War soldier, Smith spent his childhood and adolescence in the untamed frontier country of Tennessee and southern Kentucky. A quick-witted, thoughtful, and humorous youth, Smith was shaped by the unlikely combination of his dangerous, feral surroundings and his Calvinist religious indoctrination. The dangers of frontier life made an even greater impression on John Smith as a young man, when several instances of personal tragedy forced him to question the philosophy of predeterminism that pervaded his religious upbringing. From these crises of faith, Smith emerged a changed man with a new vocation: to spread a Christian faith wherein salvation was available to all people. Thus began the long, ecclesiastical career of Raccoon John Smith and the germination of a religious revolution. Exhaustively researched, engagingly written, Raccoon John Smith is the first objective and painstakingly accurate treatment of the legendary frontier preacher. The intricacies behind the development of both Smith's personal religious beliefs and the founding of the Christian Church are treated with equal care. Raccoon John Smith is the story of a single man, but in carefully examining the events and people that influenced Elder Smith, this book also serves as a formative history for several Christian denominations, as well as an account of the wild, early years of the Commonwealth of Kentucky.

When Thomas D. Clark was hired to teach history at the University of Kentucky in 1931, he began a career that would span nearly three-quarters of a century and would profoundly change not only the history department and the university but the entire Commonwealth. His still-definitive History of Kentucky (1937) was one of more than thirty books he would write or edit that dealt with Kentucky, the South, and the American frontier. In addition to his wide scholarly contributions, Clark devoted his life to the preservation of Kentucky's historical records. He began this crusade by collecting vast stores of Kentucky's military records from the War of 1812, the Mexican War, and the Civil War. His efforts resulted in the Commonwealth's first archival system and the subsequent creation of the Kentucky Library and Archives, the University of Kentucky Special Collections and Archives, the Kentucky Oral History Commission, the Kentucky History Center (recently named for him), and the University Press of Kentucky. Born in 1903 on a cotton farm in Louisville, Mississippi, Thomas Dionysius Clark would follow a long and winding path to find his life's passion in the study of history. He dropped out of school after seventh grade to work first at a sawmill and then on a canal dredgeboat before resuming his formal education. Clark's earliest memories -- hearing about local lynch-mob violence and witnessing the destruction of virgin forest -- are an invaluable window into the national issues of racial injustice and environmental depredation. In many ways, the story of Dr. Clark's life is the story of America in the twentieth century. In My Century in History, Clark offers vivid memories of his journey, both personal and academic, a journey that took him from Mississippi to Kentucky and North Carolina, to leadership of the nation's major historical organizations, and to visiting professorships in Austria, England, Greece, and India, as well as in universities throughout the United States. An enormously popular public lecturer and teacher, he touched thousands of lives in Kentucky and around the world. With his characteristic wit and insight, Clark now offers his many admirers one final volume of history -- his own.

For many of the forty years of her life as a slave, Azeline Hearne cohabitated with her wealthy, unmarried master, Samuel R. Hearne. She bore him four children, only one of whom survived past early childhood. When Sam died shortly after the Civil War ended, he publicly acknowledged his relationship with Azeline and bequeathed his entire estate to their twenty-year-old mulatto son, with the provision that he take care of his mother. When their son died early in 1868, Azeline inherited one of the most profitable cotton plantations in Texas and became one of the wealthiest ex-slaves in the former Confederacy. In Counterfeit Justice, Dale Baum traces Azeline's remarkable story, detailing her ongoing legal battles to claim and maintain her legacy.

As Baum shows, Azeline's inheritance quickly made her a target for predatory whites determined to strip her of her land. A familiar figure at the Robertson County District Court from the late 1860s to the early 1880s, Azeline faced numerous lawsuits--including one filed against her by her own lawyer. Samuel Hearne's family took steps to dispossess her, and other unscrupulous white men challenged the title to her plantation, using claims based on old Spanish land grants. Azeline's prolonged and courageous defense of her rightful title brought her a certain notoriety: the first freedwoman to be a party to three separate civil lawsuits appealed all the way to the Texas Supreme Court and the first former slave in Robertson County indicted on criminal charges of perjury. Although repeatedly blocked and frustrated by the convolutions of the legal system, she evolved from a bewildered defendant to a determined plaintiff who, in one extraordinary lawsuit, came tantalizingly close to achieving revenge against those who defrauded her for over a decade.

Due to gaps in the available historical record and the unreliability of secondary accounts based on local Reconstruction folklore, many of the details of Azeline's story are lost to history. But Baum grounds his speculation about her life in recent scholarship on the Reconstruction era, and he puts his findings in context in the history of Robertson County. Although history has not credited Azeline Hearne with influencing the course of the law, the story of her uniquely difficult position after the Civil War gives an unprecedented view of the era and of one solitary woman's attempt to negotiate its social and legal complexities in her struggle to find justice.

Baum's meticulously researched narrative will be of keen interest to legal scholars and to all those interested in the plight of freed slaves during this era.

A NEW YORK TIMES NOTABLE BOOK

A modern classic of personal journalism, The Orchid Thief is Susan Orlean’s wickedly funny, elegant, and captivating tale of an amazing obsession.

From Florida’s swamps to its courtrooms, the New Yorker writer follows one deeply eccentric and oddly attractive man’s possibly criminal pursuit of an endangered flower. Determined to clone the rare ghost orchid, Polyrrhiza lindenii, John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, along with the Seminole Indians who help him and the forces of justice who fight him. In the end, Orlean–and the reader–will have more respect for underdog determination and a powerful new definition of passion.

Praise for The Orchid Thief:

“Fascinating . . . tales of theft, hatred, greed, jealousy, madness, and backstabbing . . . an engrossing journey.”
–Los Angeles Times

“Irresistible . . . a brilliantly reported account of an illicit scheme to housebreak Florida’s wild and endangered ghost orchid . . . Its central figure is John Laroche, the ‘oddball ultimate’ of a subculture whose members are so enthralled by orchids they ‘pursue them like lovers.’ ”
–Minneapolis Star Tribune

“Artful . . . in Ms. Orlean’s skillful handling, her orchid story turns out to be distinctly ‘something more.’ . . . [Her] portrait of her sometimes sad-making orchid thief allows the reader to discover acres of opportunity where intriguing things can be found.”
–The New York Times

“Zestful . . . a swashbuckling piece of reporting that celebrates some virtues that made America great.”
–The Wall Street Journal

“Deliciously weird . . . compelling.”
–Detroit Free Press

Orchidelirium is the name the Victorians gave to the flower madness that is for botanical collectors the equivalent of gold fever. Wealthy orchid fanatics of that era sent explorers (heavily armed, more to protect themselves against other orchid seekers than against hostile natives or wild animals) to unmapped territories in search of new varieties of Cattleya and Paphiopedilum. As knowledge of the family Orchidaceae grew to encompass the currently more than 60,000 species and over 100,000 hybrids, orchidelirium might have been expected to go the way of Dutch tulip mania. Yet, as journalist Susan Orlean found out, there still exists a vein of orchid madness strong enough to inspire larceny among collectors.

The Orchid Thief centers on south Florida and John Laroche, a quixotic, charismatic schemer once convicted of attempting to take endangered orchids from the Fakahatchee swamp, a state preserve. Laroche, a horticultural consultant who once ran an extensive nursery for the Seminole tribe, dreams of making a fortune for the Seminoles and himself by cloning the rare ghost orchid Polyrrhiza lindenii. Laroche sums up the obsession that drives him and so many others:

I really have to watch myself, especially around plants. Even now, just being here, I still get that collector feeling. You know what I mean. I'll see something and then suddenly I get that feeling. It's like I can't just have something--I have to have it and learn about it and grow it and sell it and master it and have a million of it.

Scholars and arm - chair historians of eighteenth- century America will take great pleasure in reading this exceptionally well - researched slice of colonial history. In The Baylors of Newmarket, author Thomas Katheder has meticulously researched one of the wealthiest and most socially prominent - yet least known- families in colonial Virginia. Drawing on mostly unpublished sources, including British and French archives and Virginia court documents, The Baylors of Newmarket is the fascinating and tragic story of Col. John Baylor III and his son John IV, including Col. Baylor's relentless pursuit of equine perfection and his son's delusional quest for the perfect Virginia mansion. The Baylors of Newmarket places the family in the larger context of a pre- Revolutionary Anglo- Virginian elite that sought to emulate the British gentry in culture, education, books and reading, dress, furnishings, and behavior. After the Revolution, the Baylors struggled to maintain what was becoming an increasingly outmoded lifestyle. This extensively referenced history also describes in rich detail the library begun by Col. Baylor III and expanded by his son John IV within the context of a strong book culture among the pre- Revolutionary Virginia gentry that has been largely underappreciated by scholars.

Ruthie Bolton describes her desolate childhood in Hungry Neck, South Carolina, during which she suffered unspeakable torments, and then recounts her miraculous rebirth into a family of love. Reprint. Tour. LJ. NYT.

"Daddy and Roger and 'em shot 'em a nigger."

Those words, whispered to ten-year-old Tim Tyson by one of his playmates in the late spring of 1970, heralded a firestorm that would forever transform the small tobacco market town of Oxford, North Carolina.

On May 11, 1970, Henry Marrow, a 23-year-old black veteran, walked into a crossroads store owned by Robert Teel, a rough man with a criminal record and ties to the Ku Klux Klan, and came out running. Teel and two of his sons chased Marrow, beat him unmercifully, and killed him in public as he pleaded for his life. In the words of a local prosecutor: "They shot him like you or I would kill a snake."

Like many small Southern towns, Oxford had barely been touched by the civil rights movement. But in the wake of the killing, young African Americans took to the streets, led by 22-year-old Ben Chavis, a future president of the NAACP. As mass protests crowded the town square, a cluster of returning Vietnam veterans organized what one termed "a military operation." While lawyers battled in the courthouse that summer in a drama that one termed "a Perry Mason kind of thing," the Ku Klux Klan raged in the shadows and black veterans torched the town's tobacco warehouses.

With large sections of the town in flames, Tyson's father, the pastor of Oxford's all-white Methodist church, pressed his congregation to widen their vision of humanity and pushed the town to come to terms with its bloody racial history. In the end, however, the Tyson family was forced to move away.

Years later, historian Tim Tyson returned to Oxford to ask Robert Teel why he and his sons had killed Henry Marrow. "That nigger committed suicide, coming in here wanting to four-letter-word my daughter-in-law," Teel explained.

The black radicals who burned much of Oxford also told Tim their stories. "It was like we had a cash register up there at the pool hall, just ringing up how much money we done cost these white people," one of them explained. "We knew if we cost 'em enough goddamn money they was gonna start changing some things."

In the tradition of To Kill a Mockingbird, Blood Done Sign My Name is a classic work of conscience, a defining portrait of a time and place that we will never forget. Tim Tyson's riveting narrative of that fiery summer and one family's struggle to build bridges in a time of destruction brings gritty blues truth, soaring gospel vision, and down-home humor to our complex history, where violence and faith, courage and evil, despair and hope all mingle to illuminate America's enduring chasm of race.

When he was but 10 years old, Tim Tyson heard one of his boyhood friends in Oxford, N.C. excitedly blurt the words that were to forever change his life: "Daddy and Roger and 'em shot 'em a nigger!" The cold-blooded street murder of young Henry Marrow by an ambitious, hot-tempered local businessman and his kin in the Spring of 1970 would quickly fan the long-flickering flames of racial discord in the proud, insular tobacco town into explosions of rage and street violence. It would also turn the white Tyson down a long, troubled reconciliation with his Southern roots that eventually led to a professorship in African-American studies at the University of Wisconsin-Madison--and this profoundly moving, if deeply troubling personal meditation on the true costs of America's historical racial divide. Taking its title from a traditional African-American spiritual, Tyson skillfully interweaves insightful autobiography (his father was the town's anti-segregationist Methodist minister, and a man whose conscience and human decency greatly informs the son) with a painstakingly nuanced historical analysis that underscores how little really changed in the years and decades after the Civil Rights Act of 1965 supposedly ended racial segregation. The details are often chilling: Oxford simply closed its public recreation facilities rather than integrate them; Marrow's accused murderers were publicly condemned, yet acquitted; the very town's newspaper records of the events--and indeed the author's later account for his graduate thesis--mysteriously removed from local public records. But Tyson's own impassioned personal history lessons here won't be denied; they're painful, yet necessary reminders of a poisonous American racial legacy that's so often been casually rewritten--and too easily carried forward into yet another century by politicians eagerly employing the cynical, so-called "Southern Strategy." --Jerry McCulley

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Read a biography of Tennessee Williams as well as a history of his childhood and education. Tennessee Williams was an American playwright who received many of the top theatrical awards for his works of drama. Read about his major plays, including The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and more.

Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.