South

All over but the Shoutin'

One reason Rick Bragg won a Pulitzer Prize for his feature articles at the New York Times is that he never forgets his roots. When he writes about death and violence in urban slums, Bragg draws on firsthand knowledge of how poverty deforms lives and on his personal belief in the dignity of poor people. His memoir of a hardscrabble Southern youth pays moving tribute to his indomitable mother and struggles to forgive his drunken father. All Over but the Shoutin' is beautifully achieved on both these counts--and many more.

This haunting, harrowing, gloriously moving recollection of a life on the American margin is the story of Rick Bragg, who grew up dirt-poor in northeastern Alabama, seemingly destined for either the cotton mills or the penitentiary, and instead became a Pulitzer Prize-winning reporter for The New York Times. It is the story of Bragg's father, a hard-drinking man with a murderous temper and the habit of running out on the people who needed him most.

But at the center of this soaring memoir is Bragg's mother, who went eighteen years without a new dress so that her sons could have school clothes and picked other people's cotton so that her children wouldn't have to live on welfare alone. Evoking these lives--and the country that shaped and nourished them--with artistry, honesty, and compassion, Rick Bragg brings home the love and suffering that lie at the heart of every family. The result is unforgettable.

The House on First Street: My New Orleans Story

Julia Reed went to New Orleans in 1991 to cover the reelection of former (and currently incarcerated) governor Edwin Edwards. Seduced by the city's sauntering pace, its rich flavors and exotic atmosphere, she was never entirely able to leave again. After almost fifteen years of living like a vagabond on her reporter's schedule, she got married and bought a house in the historic Garden District. Four weeks after she moved in, Hurricane Katrina struck.

With her house as the center of her own personal storm as well as the ever-evolving stage set for her new life as an upstanding citizen, Reed traces the fates of all who enter to wine, dine (at her table for twenty-four), tear down walls, install fixtures, throw fits and generally leave their mark on the house on First Street. There's Antoine, Reed's beloved homeless handyman with an unfortunate habit of landing in jail; JoAnn Clevenger, the Auntie Mame—like restaurateur who got her start mixing drinks for Dizzy Gillespie and selling flowers from a cart; Eddie, the supremely laid-back contractor with Hollywood ambitions; and, with the arrival of Katrina, the boys from the Oklahoma National Guard, fleets of door-kicking animal rescuers and the self-appointed (and occasionally naked) neighborhood watchman. Finally, there's the literally clueless detective who investigates the robbery in which the first draft of this book was stolen. Through it all, Reed discovers there really is no place like home.

Rich with sumptuous details and with the author's trademark humor well in the fore, The House on First Street is the chronicle of a remarkable and often hilarious homecoming, as well as a thoroughly original tribute to our country's most original city.

Atchafalaya Houseboat: My Years in the Louisiana Swamp

In the early 1970s, two idealistic young people—Gwen Carpenter Roland and Calvin Voisin—decided to leave civilization and re-create the vanished simple life of their great-grandparents in the heart of Louisiana’s million-acre Atchafalaya River Basin Swamp. Armed with a box of crayons and a book called How to Build Your Home in the Woods, they drew up plans to recycle a slave-built structure into a houseboat. Without power tools or building experience they constructed a floating dwelling complete with a brick fireplace. Towed deep into the sleepy waters of Bloody Bayou, it was their home for eight years. This is the tale of the not-so-simple life they made together—days spent fishing, trading, making wine, growing food, and growing up—told by Gwen with grace, economy, and eloquence.

Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their "back to the earth" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood’s photos of them appeared in a National Geographic collector’s edition entitled 100 Best Pictures Unpublished—and kindled the interest of a new generation. That photo and many others by Lockwood are included here.

With quiet wisdom, Gwen recounts her eight-year voyage of discovery—about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place, preserving her great adventure for those who did not make the trip in person.

"I [would write] in the stern of our red and green bateau while Calvin was running nets or lines from the bow. Since ink smears when it gets wet, I used pencils on a yellow legal pad propped against the black Mercury outboard motor. Whenever it was time for me to crank the motor and run us to the next line or net, I’d sit on the pad to keep it from blowing away. . . . During the writing process, we carried on our regular conversations. The stories are almost extensions of those conversations, rising and falling with our voices, capturing the essence of our daily lives like our elderberry wine captured the fragrance of April to be released again in October."—from the prologue

AUTHOR BIO: Gwen Roland is a writer and editor for the Southern Region Sustainable Agriculture Research and Education Program at the University of Georgia in Griffin. She is at work on a novel set one hundred years ago in the Atchafalaya Basin.

The Good Pirates of the Forgotten Bayous: Fighting to Save a Way of Life in the Wake of Hurricane Katrina

Ava's Man

The same fierce pride and love that animated All Over but the Shoutin' glow in Rick Bragg's new book. In fact, he informs us in the prologue that it was the readers of his bestselling 1997 memoir about his mother's struggle to raise three sons out of dire poverty who told him what he had to write about next. "People asked me where I believed my own momma's heart and backbone came from ... they said I short-shrifted them in the first book." Bragg sets out to make amends in this heartfelt biography of his maternal grandfather, Charlie Bundrum, who with wife Ava nurtured seven children through hard times that never seemed to ease in rural Alabama and Georgia. "He was a tall, bone-thin man who worked with nails in his teeth and a roofing hatchet in a fist as hard as Augusta brick," writes Bragg, "who inspired backwoods legend and the kind of loyalty that still makes old men dip their heads respectfully when they say his name." Charlie's children adored him so much that 40 years after his premature death in 1958 at age 51, Bragg's elderly aunts and mother began to cry when asked about him. Chronicling Charlie's hardscrabble life in the flinty, expressive cadences of working-class Southern speech, Bragg depicts a rugged individual who would find no place in the homogenized New South. The marvelous stories collected from various relatives--Charlie facing down a truckload of mean drunks with a hammer, hatchet, and 12-gauge shotgun, or brewing illegal white whiskey in the woods ("He never sold a sip that he did not test with his own liver")--are not just snapshots of a colorful character. They're also the author's tribute to an oral culture with tenacious roots and powerful significance in the American South. --Wendy Smith

With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a national bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate brawler, who could sit for hours with a baby in the crook of his arm.

In telling Charlie’s story, Bragg conjures up the backwoods hamlets of Georgia and Alabama in the years when the roads were still dirt and real men never cussed in front of ladies. A masterly family chronicle and a human portrait so vivid you can smell the cornbread and whiskey, Ava’s Man is unforgettable.

Cross Creek

Originally published in 1942, Cross Creek has become a classic in modern American literature. For the millions of readers raised on The Yearling, here is the story of Marjorie Kinnan Rawlings's experiences in the remote Florida hamlet of Cross Creek, where she lived for thirteen years. From the daily labors of managing a seventy-two-acre orange grove to bouts with runaway pigs and a succession of unruly farmhands, Rawlings describes her life at the Creek with humor and spirit. Her tireless determination to overcome the challenges of her adopted home in the Florida backcountry, her deep-rooted love of the earth, and her genius for character and description result in a most delightful and heartwarming memoir.

Ecology of a Cracker Childhood (World As Home, The)

The scrubby forests of southern Georgia, dotting a landscape of low hills and swampy bottoms, are not what many people would consider to be exalted country, the sort of place to inspire lyrical considerations of nature and culture. Yet that is just what essayist Janisse Ray delivers in her memorable debut, a memoir of life in a part of America that roads and towns have passed by, a land settled by hardscrabble Scots herders who wanted nothing more than to be left alone, and who bear the derogatory epithet "cracker" with quiet pride.

Ray grew up in a junkyard outside what had been longleaf pine forest, an ecosystem that has nearly disappeared in the American South through excessive logging. Her family had little money, but that was not important; they more than made up for material want through unabashed love and a passion for learning, values that underlie every turn of Ray's narrative. She finds beauty in weeds and puddles, celebrates the ways of tortoises and woodpeckers, and argues powerfully for the virtues of establishing a connection with one's native ground.

"I carry the landscape inside like an ache," Ray writes. Her evocations of fog-enshrouded woods and old ways of living are not without pain for all that has been lost--but full of hope as well for what can be saved. --Gregory McNamee

Heart in the Right Place

Carolyn Jourdan, an attorney on Capitol Hill, thought she had it made. But when her mother has a heart attack, she returns home—to the Tennessee mountains, where her father is a country doctor and her mother works as his receptionist. Jourdan offers to fill in for her mother until she gets better. But days turn into weeks as she trades her suits for scrubs and finds herself following hazmat regulations for cleaning up bodily fluids; maintaining composure when confronted with a splinter the size of a steak knife; and tending to the loquacious Miss Hiawatha, whose daily doctor visits are never billed. Most important, though, she comes to understand what her caring and patient father means to her close-knit community.

With great humor and great tenderness, Heart in the Right Place shows that some of our biggest heroes are the ones living right beside us.

"This is a wonderful book. I would have enjoyed it even if Carolyn wasn't a neighbor of mine in East Tennessee. She is a great writer."
—Dolly Parton, Singer, Songwriter, and Actress

See You in a Hundred Years: Four Seasons in Forgotten America

Warriors Don't Cry: A Searing Memoir of the Battle to Integrate Little Rock's Central High

Presents an account of Melba Beals's junior year at Central High in 1957, during which her family suffered threats, personal attacks, and even a murder attempt, and explains how they endured with faith, courage, strength, and love. Reprint."