The Last Campaign: Robert F. Kennedy and 82 Days That Inspired America
by Thurston Clarke
from Henry Holt and Co.
Amazon Best of the Month, June 2008: When Senator Robert F. Kennedy entered the presidential race during the chaotic year of 1968, anarchy appeared to be gathering on the horizon. America was coming to grips with an unwinnable war in Vietnam and unacceptable social policies at home.
Exclusive Q&A with Author Thurston Clarke
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Clarke: The fact that he was the brother of a beloved and martyred president, and that he was also assassinated are of course important factors. But I think Bobby Kennedy continues to be relevant because he tackled issues such as race, poverty, and an ill-advised and unpopular war that remain relevant. And not only did he address these issues but he addressed them with an honesty and passion that no other president or politician has equaled since 1968.
Amazon.com: Despite his own fears, Kennedy made himself dangerously accessible to crowds. Was this an act of defiance or conviction?
Clarke: It was both defiance and conviction.
Speaking of President Johnson's bubble-topped, bulletproof limousine, he told a reporter, "I'll tell you one thing: if I'm elected President, you won't find me riding around in any of those God-damned cars. We can't have that kind of country, where the President is afraid to go among the people." When his aides (who were worried about his safety throughout the campaign) urged him to spend more time campaigning from television studios and less time plunging into crowds, he told them, "There are so many people who hate me that I've got to let the people who love me see me." Kennedy also knew that crowds revived him-"like a couple of drinks," according to aide Fred Dutton-and that letting people see him in person was the best way to prove that his reputation for being "ruthless" was unmerited.
Amazon.com: Hypothetical questions achingly surround Bobby Kennedy and his legacy. Did any single "What if?" occupy your thoughts as you researched this book? Kennedy campaigning in Los Angeles during 1968
Clarke: Several "What ifs" haunted me.
Kennedy had wanted to avoid going to the Ambassador Hotel on the evening of June 4, 1968 and instead watch the returns at the home of John Frankenheimer. The networks, however, protested that they needed him at the hotel for interviews and wanted to cover the victory celebration live if he won. Kennedy caved in and went to the hotel.
Kennedy always went through the crowd in a ballroom or auditorium after speaking, and became angry with aides who tried to hustle him out a back door. But on the night of his assassination, he broke his own rule and went through the hotel pantry where Sirhan Sirhan was waiting.
And what if he had won the nomination and become president? I doubt that there would have been riots at the Democratic convention in Chicago that year -- riots that helped elect Richard Nixon to the presidency and that have proven to be an albatross around the neck of Democrats for forty years. A President Robert Kennedy would have withdrawn America from Vietnam soon and there would be fewer names on the Vietnam wall. There would have been no bombing of Cambodia, Kent State, or Watergate, and so on, and so on.
Amazon.com: Kennedy's campaign strategy was fraught with risk, as one observer remarked that "he kept hammering away at the plight of the poor when there was more chance for political loss than gain." Had Bobby simply had enough with politics as usual?
Clarke: Kennedy's obsession with the plight of America's poor was more the result of his own personal experiences than any rejection of politics as usual. He had held a starving child in his arms in Mississippi. He had visited the appalling schools on Indian reservations where students learned nothing about their own culture and history. He had tramped through tenements in Brooklyn and come upon a girl whose face had been disfigured by rat bites. He believed that he had a responsibility to educate the American people about these conditions.
During a flight on his chartered campaign plane he told Sylvia Wright of Life magazine, ". . . for every two or three days that you waste time making speeches at rallies full of noise and balloons, there's usually a chance every two or three days . . . where you get a chance to teach people something; and to tell them something that they don't know because they don't have the chance to get around like I do, to take them some place vicariously that they haven't been, to show them a ghetto, or an Indian reservation." And it was moments like these, Kennedy told Wright, that made a political campaign, despite all its banalities and indignities, "worth it."
Amazon.com: In your opinion, will we ever see another Bobby Kennedy? Have we become too jaded to embrace a candidate like RFK or has campaigning simply become political theater?
Clarke: One of the aides who scheduled many of Kennedy's appearances that spring, told me, "What he did was not really that mystical. All it requires is someone who knows himself, and has some courage."
The definitive account of Robert Kennedy’s exhilarating and tragic 1968 campaign for president—a revelatory history that is especially resonant now
After John F. Kennedy’s assassination, Robert Kennedy—formerly Jack’s no-holds-barred political warrior—almost lost hope. He was haunted by his brother’s murder, and by the nation’s seeming inabilities to solve its problems of race, poverty, and the war in Vietnam. Bobby sensed the country’s pain, and when he announced that he was running for president, the country united behind his hopes. Over the action-packed eighty-two days of his campaign, Americans were inspired by Kennedy’s promise to lead them toward a better time. And after an assassin’s bullet stopped this last great stirring public figure of the 1960s, crowds lined up along the country’s railroad tracks to say goodbye to Bobby.
With new research, interviews, and an intimate sense of Kennedy, Thurston Clarke provides an absorbing historical narrative that goes right to the heart of America’s deepest despairs—and most fiercely held dreams—and tells us more than we had understood before about this complicated man and the heightened personal, racial, political, and national dramas of his times.
JFK and the Unspeakable: Why He Died and Why It Matters
by James W. Douglass
from Orbis Books
A Time it Was: Bobby Kennedy in the Sixties
by Bill Eppridge
from Abrams
On June 6, 1968, at the age of 42 and at the height of his popularity, Robert F. Kennedy was tragically assassinated. Presidential candidate, U.S. Senator, father—Kennedy was all of these things—and, to many Americans, he embodied the power of possibility and positive change during a period of social unrest, racial inequality, and war.
Renowned Life photographer Bill Eppridge followed and photographed Kennedy during his early campaign days up to his untimely death, and A Time It Was features dynamic images of the public Kennedy, as well as rare, intimate ones, many of which have never before been published. An essay by Pete Hamill places the events in historical context, while Eppridge shares his insider’s perspective on Kennedy. Released to commemorate the fortieth anniversary of Kennedy’s death, A Time It Was reveals why the memory and legacy of Kennedy and his dreams continue to be relevant today.
The Autobiography of Martin Luther King, Jr.
by Martin Luther King Jr.
from Grand Central Publishing
Celebrated Stanford University historian Clayborne Carson is the director and editor of the Martin Luther King Papers Project; with thousands of King's essays, notes, letters, speeches, and sermons at his disposal, Carson has organized King's writings into a posthumous autobiography. In an early student essay, King prophetically penned: "We cannot have an enlightened democracy with one great group living in ignorance.... We cannot have a nation orderly and sound with one group so ground down and thwarted that it is almost forced into unsocial attitudes and crime." Such statements, made throughout King's career, are skillfully woven together into a coherent narrative of the quest for social justice. The autobiography delves, for example, into the philosophical training King received at Morehouse College, Crozer Theological Seminary, and Boston University, where he consolidated the teachings of Afro-American theologian Benjamin Mays with the philosophies of Locke, Rousseau, Gandhi, and Thoreau. Through King's voice, the reader intimately shares in his trials and triumphs, including the Montgomery Boycott, the 1963 "I Have a Dream Speech," the Selma March, and the 1964 Nobel Peace Prize. In one of his last speeches, King reminded his audience that "in the final analysis, God does not judge us by the separate incidents or the separate mistakes that we make, but by the total bent of our lives." Carson's skillful editing has created an original argument in King's favor that draws directly from the source, illuminating the circumstances of King's life without deifying his person. --Eugene Holley Jr.
By weaving together an unprecedented amount of material, including Dr. King's books, articles, essays, personal letters, and unpublished manuscripts, Clayborne Carson (historian, documentarian, and director of the King Papers Project) has crafted an excellent production that represents the unique medium of audiobooks at its very best. With the effective and engaging narration of actor Levar Burton as a foundation, the tapes provide understanding and insight into this important religious and political leader's powerful convictions. Original music from the civil rights movement, plus rare recordings of Dr. King's moving speeches and sermons, help create an inspiring portrait of one of the most influential leaders of the 20th century. (Running time: 9 hours, 6 cassettes) --George Laney
Celebrated Stanford University historian Clayborne Carson is the director and editor of the Martin Luther King Papers Project; with thousands of King's essays, notes, letters, speeches, and sermons at his disposal, Carson has organized King's writings into a posthumous autobiography. In an early student essay, King prophetically penned: "We cannot have an enlightened democracy with one great group living in ignorance.... We cannot have a nation orderly and sound with one group so ground down and thwarted that it is almost forced into unsocial attitudes and crime." Such statements, made throughout King's career, are skillfully woven together into a coherent narrative of the quest for social justice. The autobiography delves, for example, into the philosophical training King received at Morehouse College, Crozer Theological Seminary, and Boston University, where he consolidated the teachings of Afro-American theologian Benjamin Mays with the philosophies of Locke, Rousseau, Gandhi, and Thoreau. Through King's voice, the reader intimately shares in his trials and triumphs, including the Montgomery Boycott, the 1963 "I Have a Dream Speech," the Selma March, and the 1964 Nobel Peace Prize. In one of his last speeches, King reminded his audience that "in the final analysis, God does not judge us by the separate incidents or the separate mistakes that we make, but by the total bent of our lives." Carson's skillful editing has created an original argument in King's favor that draws directly from the source, illuminating the circumstances of King's life without deifying his person. --Eugene Holley Jr.
A professor of history and the noted author and editor of several books on the civil rights struggle, Dr. Clayborne Carson was selected by the estate of Dr. Martin Luther King, Jr., to edit and publish Dr. King's papers. Drawing upon an unprecedented archive of King's own words--including unpublished letters and diaries, as well as video footage and recordings--Dr. Carson creates an unforgettable self-portrait of Dr. King. In his own vivid, compassionate voice, here is Dr. Martin Luther King, Jr., as student, minister, husband, father, and world leader . . . as well as a rich, moving chronicle of a people and a nation in the face of powerful--and still resonating--change.
On Writing: A Memoir of the Craft
by Stephen King
from Scribner
Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."
King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.
King isn't just a writer, he's a true teacher. --Tim Appelo
"If you don't have the time to read, you don't have the time or the tools to write."
In 1999, Stephen King began to write about his craft -- and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever.
Rarely has a book on writing been so clear, so useful, and so revealing. On Writing begins with a mesmerizing account of King's childhood and his uncannily early focus on writing to tell a story. A series of vivid memories from adolescence, college, and the struggling years that led up to his first novel, Carrie, will afford readers a fresh and often very funny perspective on the formation of a writer. King next turns to the basic tools of his trade -- how to sharpen and multiply them through use, and how the writer must always have them close at hand. He takes the reader through crucial aspects of the writer's art and life, offering practical and inspiring advice on everything from plot and character development to work habits and rejection.
Serialized in the New Yorker to vivid acclaim, On Writing culminates with a profoundly moving account of how King's overwhelming need to write spurred him toward recovery, and brought him back to his life.
Brilliantly structured, friendly and inspiring, On Writing will empower -- and entertain -- everyone who reads it.
For years I dreamed of having the sort of massive oak slab that would dominate a room.... In 1981 I got the one I wanted and placed it in the middle of a spacious, skylighted study in the rear of the house. For six years I sat behind that desk either drunk or wrecked out of my mind.... A year or two after I sobered up, I got rid of that monstrosity and put in a living-room suite where it had been....In the early nineties, before they moved on to their own lives, my kids sometimes came up in the evening to watch a basketball game or a movie and eat pizza....I got another desk -- it's handmade, beautiful, and half the size of the T. rex desk. I put it at the far west end of the office, in a corner under the eave....I'm sitting under it now, a fifty-three-year-old man with bad eyes, a gimp leg, and no hangover. I'm doing what I know how to do, and as well as I know how to do it. I came through all the stuff I told you about ... and now I'm going to tell you as much as I can about the job.... It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support-system for art. It's the other way around. --
Profiles in Courage
by John F. Kennedy
from HarperCollins
"This is a book about that most admirable of human virtues-- courage. 'Grace under pressure,' Ernest Hemingway defined it. And these are the stories of the pressures experienced by eight United States Senators and the grace with which they endured them."-- John F. Kennedy
During 1954-1955, John F. Kennedy, then a U.S. Senator, chose eight of his historical colleagues to profile for their acts of astounding integrity in the face of overwhelming opposition. These heroes include John Quincy Adams, Daniel Webster, Thomas Hart Benton, and Robert A. Taft.
Awarded the Pulitzer Prize in 1957, Profiles in Courage -- now reissued in this handsome hardcover edition, featuring a new introduction by Caroline Kennedy, as well as Robert Kennedy's foreword written for the memorial edition of the volume in 1964 -- resounds with timeless lessons on the most cherished of virtues and is a powerful reminder of the strength of the human spirit. It is as Robert Kennedy states in the foreword, "not just stories of the past but a hook of hope and confidence for the future. What happens to the country, to the world, depends on what we do with what others have left us."
Why We Can't Wait (Signet Classics)
by Jr., Dr. Martin Luther King
from Signet Classics
Dr. King's remarkable account of the struggle for civil rights in segregated Birmingham, Alabama, tracing the history of the movement back to its beginnings three centuries ago and looking to the future.
April 4, 1968: Martin Luther King Jr.'s Death and How It Changed America
by Michael Eric Dyson
from Basic Civitas Books
Acclaimed public intellectual and best-selling author Michael Eric Dyson uses the fortieth anniversary of King’s assassination as the occasion for a provocative and fresh examination of how King fought, and faced, his own death, and we should use his death and legacy. Dyson also uses this landmark anniversary as the starting point for a comprehensive reevaluation of the fate of Black America over the four decades that followed King’s death. Dyson ambitiously investigates the ways in which African-Americans have in fact made it to the Promised Land of which King spoke, while shining a bright light on the ways in which the nation has faltered in the quest for racial justice. He also probes the virtues and flaws of charismatic black leadership that has followed in King’s wake, from Jesse Jackson to Barack Obama.
Always engaging and inspiring, April 4, 1968 celebrates the prophetic leadership of Dr. King, and challenges America to renew its commitment to his deeply moral vision.
Make Gentle the Life of This World: The Vision of Robert F. Kennedy
by Maxwell Taylor Kennedy
from Broadway
President John F. Kennedy and his brother, Attorney General Robert F. Kennedy, collaborated on a daybook project in which they would jot down passages from their reading that moved them in some way. RFK continued the project after his brother's death in 1963, and would frequently use the quotations in it as source material for his speeches.
Maxwell Taylor Kennedy, Robert's youngest son, has drawn upon that journal, as well as material from his father's speeches, to create a unique portrait of RFK's spirit and character. In addition to his own powerful testimony to his passion for social justice, we learn that Robert Kennedy was able to learn as much about the meaning of freedom and justice from Albert Camus as he was from Thomas Jefferson or Abraham Lincoln. The concern with civil rights, pacifism, and America's role in the international arena (among other issues) that permeate Kennedy's thoughts are as relevant today as they were in the 1960s. Make Gentle the Life of This World is a stirring reminder of one of this century's strongest political visions.
Throughout the 1960s, Robert F. Kennedy kept a private journal of favorite quotations, recording the philosophies of great leaders and thinkers throughout history. Thirty years after his father's tragic death, Maxwell Taylor Kennedy has culled the highlights of this journal, along with moving portions of Robert Kennedy's most memorable speeches, to create an inspiring, immortal voice for his father's vision. With passages on freedom, democracy, civil rights, education, justice, tragedy, and peace, Make Gentle the Life of This World speaks powerfully to America's unstoppable drive for a better world. Complemented by poignant photographs of Robert Kennedy, this is an extraordinary tribute to an extraordinary hero, whose dream for America has never been extinguished.
Robert Kennedy and His Times
by Arthur M. Schlesinger Jr.
from Mariner Books
Arthur M. Schlesinger, Jr., chronicles the short life of the Kennedy family's second presidential hopeful in "a story that leaves the reader aching for what cannot be recaptured" (Miami Herald). Schlesinger's account vividly recalls the forces that shaped Robert Kennedy, from his position as the third son of a powerful Irish Catholic political clan to his concern for issues of social justice in the turbulent 1960s. ROBERT KENNEDY AND HIS TIMES is "a picture of a deeply compassionate man hiding his vulnerability, drawn to the underdogs and the unfortunates in society by his life experiences and sufferings" (Los Angeles Times).
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