The Unabridged Journals of Sylvia Plath
by Sylvia Plath
from Anchor
In the decades that have followed Sylvia Plath's suicide in February 1963, much has been written and speculated about her life, most particularly about her marriage to fellow poet Ted Hughes and her last months spent writing the stark, confessional poems that were to become Ariel. And the myths surrounding Plath have only been intensified by the strong grip her estate--managed by Hughes and his sister, Olwyn--had over the release of her work. Yet Plath kept journals from the age of 11 until her death at 30. Previously only available in a severely bowdlerized edition, The Unabridged Journals of Sylvia Plath have now been scrupulously transcribed (with every spelling mistake and grammatical error left intact) and annotated by Karen V. Kukil, supervisor of the Plath collection at Smith College.
The journals show the breathless adolescent obsessed with her burgeoning sexuality, the serious university student competing for the highest grades while engaging in the human merry-go-round of 1950s dating, the graduate year spent at Cambridge University where Plath encountered Ted Hughes. Her version of their relationship (dating is definitely not the appropriate term) is a necessary, and deeply painful, complement to Birthday Letters. On March 10, 1956, Plath writes:
Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.Plath's documentation of the two years the couple spent in the U.S. teaching and writing explicitly highlights the dilemma of the late-1950s woman--still swaddled in expectations of domesticity, yet attempting to forge her own independent professional and personal life. This period also reveals in detail the therapy sessions in which Plath lets loose her antipathy for her mother and her grief at her father's death when she was 8--a contrast to the bright, all-American persona she presented to her mother in the correspondence that was published as Letters Home. The journals also feature some notable omissions. Plath understandably skirted over her breakdown and attempted suicide during the summer of 1953, though she was to anatomize the events minutely in her novel The Bell Jar.
Fragments of diaries exist after 1959, which saw the couple's return to England and rural retreat in Devon, the birth of their two children, and their separation in late 1962. An extended piece on the illness and death of an elderly neighbor during this period is particularly affecting and was later turned into the poem "Berck-Plage." Much has been made of the "lost diaries" that Plath kept until her suicide--one simply appears to have vanished, the other Hughes burned after her death. It would seem rapacious to wish for more details of her despair in her final days, however. It is crystallized in the poems that became Ariel, and this is what the voice of her journals ultimately send the reader back to. Sylvia Plath's life has for too long been obfuscated by anecdote, distorting her major contribution to 20th-century literature. As she wrote in "Kindness": "The blood jet is poetry. There is no stopping it." --Catherine Taylor
First U.S. Publication
A major literary event--the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.
Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons. The complete Journals of Sylvia Plath is essential reading for all who have been moved and fascinated by Plath's life and work.
Me and a Guy Named Elvis: My Lifelong Friendship with Elvis Presley
by Jerry Schilling
from Gotham
Commemorating the thirtieth anniversary of ElvisÂ’s death, an intimate memoir of a friendship with the greatest artist in rock and roll history, taking you from late-night parties at Graceland to the bright lights of Hollywood sets and glittering stages of Vegas.
On a lazy Sunday in 1954, twelve-year-old Jerry Schilling wandered into a Memphis touch football game, only to discover that his team was quarterbacked by a nineteen-year-old Elvis Presley, the local teenager whose first record, “That’s All Right,” had just received its first play on Memphis radio. The two became fast friends, even as Elvis turned into the world’s biggest star. In 1964, Elvis invited Jerry to work for him as part of his “Memphis Mafia,” and Jerry soon found himself living with Elvis full-time in a Bel Air mansion and, later, in his own room at Graceland. Over the next thirteen years Jerry would work for Elvis in various capacities—from bodyguard to photo double to co-executive producer on a karate film.
Me and a Guy Named Elvis looks at Presley from a friendÂ’s perspective, offering readers the man rather than the icon. Spanning ElvisÂ’s meteoric rise to those later troubled years, JerryÂ’s story offers never-before-told stories about life inside ElvisÂ’s inner circle, and an insightful, emotional recounting of the great times, hard times, and unique times he and Elvis shared. SchillingÂ’s vivid memories will be priceless to ElvisÂ’s millions of fans, and his compelling life story will be fascinating to an even wider audience.
Last Train to Memphis: The Rise of Elvis Presley
by Peter Guralnick
from Back Bay Books
There's no mention of sequins, drugs, or peanut butter in this understated biography of the teenaged Elvis, a serious and worthy attempt to answer the question, "Who was this guy before he was an icon, the voice of a generation, the King?" The essential clarity and honesty of Guralnick's prose clearly limns the eager, malleable boy whose immense talent changed the course of American music.
There's no mention of sequins, drugs, or peanut butter in thisunderstated biography of the teenaged Elvis, a serious and worthy attempt toanswer the question, "Who was this guy before he was an icon, thevoice of a generation, the King?" The essential clarity and honesty ofGuralnick's prose clearly limns the eager, malleable boy whose immense talentchanged the course of American music.
Who Was Elvis Presley? (Who Was...?)
by Geoff Edgers
from Grosset & Dunlap
Put on your blue suede shoes and get ready for the latest title in the Who Was…? series! The King could not have come from humbler origins: Born in Tupelo, Mississippi, during the Depression, he grew up with the blues music of the rural South, the gospel music of local churches, and the country-western classics. But he forged a sound all his own—and a look that was all his own, too. With curled lip, swiveling hips, and greased pompadour, Elvis changed popular music forever, ushering in the age of rock and roll. Geoff Edgers’s fascinating biography of this icon of American pop culture includes blackand- white illustrations on nearly every spread.
Careless Love: The Unmaking of Elvis Presley
by Peter Guralnick
from Back Bay Books
Until Peter Guralnick came out with Last Train to Memphis in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his "inner circle"--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock & roll pioneer (with Albert Goldman's 1981 Elvis reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.
Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of "fat Elvis" decked out in bejeweled white jumpsuits, culminating in a bathroom death scene. And while that summary isn't exactly false, Guralnick's account shows how little perspective we've had on Elvis's life until now, how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, Careless Love continues to show that Guralnick "gets" what Presley was trying to do as an artist: "I see him in the same way that I think he saw himself from the start," the introduction states, "as someone whose ambition it was to encompass every strand of the American musical tradition." From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream. --Ron Hogan
Until Peter Guralnick came out with Last Train to Memphis in 1994, most biographies of Elvis Presley--especially those written by people with varying degrees of access to his "inner circle"--were filled with starstruck adulation, and those that weren't in awe of their subject invariably went out of their way to take potshots at the rock & roll pioneer (with Albert Goldman's 1981 Elvis reaching now-legendary levels of bile and condescension). Guralnick's exploration of Elvis's childhood and rise to fame was notable for its factual rigorousness and its intimate appreciation of Presley's musical agenda.Picking up where the first volume left off, Guralnick sees Elvis through his tour of duty with the U.S. Army in Germany, where he first met--and was captivated by--a 14-year-old girl named Priscilla Beaulieu. We may think we know the story from this point: the return to America, the near-decade of B-movies, eventual marriage to Priscilla, a brief flash of glory with the '68 comeback, and the surrealism of "fat Elvis" decked out in bejeweled white jumpsuits, culminating in a bathroom death scene. And while that summary isn't exactly false, Guralnick's account shows how little perspective we've had on Elvis's life until now, how a gross caricature of the final years has come to stand for the life itself. He treats every aspect of Presley's life--including forays into spiritual mysticism and the growing dependency on prescription drugs--with dignity and critical distance. More importantly, Careless Love continues to show that Guralnick "gets" what Presley was trying to do as an artist: "I see him in the same way that I think he saw himself from the start," the introduction states, "as someone whose ambition it was to encompass every strand of the American musical tradition." From rock to blues to country to gospel, Guralnick discusses how, at his finest moments, Elvis was able to fulfill that dream. --Ron Hogan
Never Die Easy: The Autobiography of Walter Payton
by Walter Payton
from Random House Trade Paperbacks
Walter Payton's premature passing forced a rethinking of his autobiography that completely sidesteps the self-importance that dominates sports memoirs in general. Never Die Easy isn't a traditional autobiography at all. It's an oral history disguised as autobiography that relates the saga of the most exquisite running back in NFL history through an interweaving of Payton's words and the words of those who knew him, with necessary transitions and narrative bridged by his collaborator. The result is an appealing hybrid that mirrors Payton's quiet modesty. "He had not just been a great football player," writes Yaeger, "he had been a role model in an age when role models were in short supply."
The Payton that emerges is a man of great skill, decency, passion, and charity: a man beloved. Naturally, there's lots of football in Never Die Easy--the title comes from a saying of Payton's college coach--with eyewitness testimony provided by the likes of Mike Ditka, Mike Singletary, Jim McMahon, Franco Harris, Matt Suhey, and even Jim Brown, whose career rushing record Payton leaped over. But there is also lots of family: the voices of his wife, children, brother, and sister are heard.
But mostly, there is Walter Payton. It's his own unmistakably high-pitched voice that resonates throughout; he sets down the melody and the others harmonize. Payton was certainly astute about the game and his abilities, forthcoming both in triumph and failure--his unsuccessful attempt at winning the NFL franchise in St. Louis was a terrible post-career blow--and utterly decent. How many other superstar athletes could say, convincingly, "Too many of us only take. We don't give." Payton gave to the end--a man who died for want of an organ was willing and eager to donate his own. It was the ultimate testimony of his refined, unforgettable Sweetness. Never Die Easy offers a fair, honest, appreciative taste. --Jeff Silverman
"Never die easy. Why run out of bounds and die easy? Make that linebacker pay. It carries into all facets of your life. It's okay to lose, to die, but don't die without trying, without giving it your best."
His legacy is towering. Walter Payton—the man they called Sweetness, for the way he ran—remains the most prolific running back in the history of the National Football League, the star of the Chicago Bears' only Super Bowl Championship, eleven times voted the most popular sports figure in Chicago's history. Off the field, he was a devoted father whose charitable foundation benefited tens of thousands of children each year, and who—faced with terminal liver disease—refused to use his celebrity to gain a preferential position for organ donation. Walter Payton was not just a football hero; he was America's hero.
        Never Die Easy is Walter Payton's autobiography, told from the heart. Growing up poor in Mississippi, he took up football to get girls' attention, and went on to become a Black College All-American at tiny Jackson State (during which time he was also a finalist in a Soul Train dance contest). Drafted by the Bears in 1975, he predicted that he would last only five years but went on to play thirteen extraordinary seasons, a career earning him regular acknowledgment as one of the greatest players in the history of professional football. And when his playing days were over, he approached business and charity endeavors with the same determination and success he had brought to the football field, always putting first his devotion to friends and family. His ultimate battle with illness truly proved him the champion he always had been and prompted a staggering outpouring of love and support from hundreds of thousands of friends and admirers.
        Written with veteran journalist and author Don Yaeger in the last weeks of Walter Payton's life, Never Die Easy presents Walter's singular voice—warm, plainspoken, funny, self-aware—along with the voices of the friends, family, teammates, and business associates who knew him best at all stages of his life, including his wife, Connie, and their children, Brittney and Jarrett; his teammate and friend Matt Suhey; former Bears head coach Mike Ditka; and many, many others.
        Walter made Don Yaeger promise that his book would be "inspirational and leave people with some kind of lesson . . . and make sure you spell all the words right." Never Die Easy keeps all those promises.
His legacy is towering. Walter Payton -- the man they called Sweetness, for the way he ran -- remains the most prolific running back in the history of the National Football League, the star of the Chicago Bears' only Super Bowl Championship, eleven times voted the most popular sports figure in Chicago's history. Off the field, he was a devoted father whose charitable foundation benefited tens of thousands of children each year, and who -- faced with terminal liver disease -- refused to use his celebrity to gain a preferential position for organ donation. Walter Payton was not just a football hero; he was America's hero. Never Die Easy is Walter Payton's autobiography, told from the heart. Growing up poor in Mississippi, he took up football to get girls' attention, and went on to become a Black College All-American at tiny Jackson State (during which time he was also a finalist in a Soul Train dance contest). Drafted by the Bears in 1975, he predicted that he would last only five years but went on to play thirteen extraordinary seasons, a career earning him regular acknowledgement as one of the greatest players in the history of professional football. And when his playing days were over, he approached business and charity endeavors with the same determination and success he had brought to the football field, always putting first his devotion to friends and family. His ultimate battle with illness truly proved him the champion he always had been and prompted a staggering outpouring of love and support from hundreds of thousands of friends and admirers.
Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes' Doomed Love
by Yehuda Koren
from Da Capo Press
Inside Graceland
by Nancy Rooks
from Xlibris Corporation
If you wanted a picture of the life of Elvis Presley, who better to paint it for you than someone who worked as his trusted cook and maid at Graceland? Someone whose daily tasks centered around keeping the 'King of Rock & Roll' happy, whose every move was designed to please the greatest music legend the entertainment world has ever known. Here is that picture, as painted by Nancy Rooks. Nancy worked for Elvis from 1967 until his untimely death in 1977. Read her stories of what those years were like, of what the routines were at Graceland, and what it meant to be close to Elvis and his family on a daily basis. Read the sad account of her rushing upstairs, after a frantic call from Ginger Alden, and finding him on the bathroom floor. This book presents that picture, one that every Elvis fan will want to see.
Pele (DK Biography)
by James Buckley
from DK CHILDREN
Perfect for book reports or summer reading, the newest titles in DK's acclaimed Biography series celebrates two stars who always hit the mark: Annie Oakley and Pele.
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