Girls Like Us: Carole King, Joni Mitchell, Carly Simon--And the Journey of a Generation
by Sheila Weller
from Atria
A groundbreaking and irresistible biography of three of America's most important musical artists -- Carole King, Joni Mitchell, and Carly Simon -- charts their lives as women at a magical moment in time.
Carole King, Joni Mitchell, and Carly Simon remain among the most enduring and important women in popular music. Each woman is distinct. Carole King is the product of outer-borough, middle-class New York City; Joni Mitchell is a granddaughter of Canadian farmers; and Carly Simon is a child of the Manhattan intellectual upper crust. They collectively represent, in their lives and their songs, a great swath of American girls who came of age in the late 1960s. Their stories trace the arc of the now mythic sixties generation -- female version -- but in a bracingly specific and deeply recalled way, far from cliché. The history of the women of that generation has never been written -- until now, through their resonant lives and emblematic songs.
Filled with the voices of many dozens of these women's intimates, who are speaking in these pages for the first time, this alternating biography reads like a novel -- except it's all true, and the heroines are famous and beloved. Sheila Weller captures the character of each woman and gives a balanced portrayal enriched by a wealth of new information.
Girls Like Us is an epic treatment of midcentury women who dared to break tradition and become what none had been before them -- confessors in song, rock superstars, and adventurers of heart and soul.
The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music
by Steve Lopez
from Putnam Adult
A moving story of the remarkable bond between a journalist in search of a story and a homeless, classically trained musician—destined to be a major motion picture from DreamWorks, starring Jamie Foxx and Robert Downey Jr.
When Steve Lopez saw Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles’ skid row, he found it impossible to walk away. More than thirty years earlier, Ayers had been a promising classical bass student at Juilliard—ambitious, charming, and also one of the few African-Americans—until he gradually lost his ability to function, overcome by schizophrenia. When Lopez finds him, Ayers is homeless, paranoid, and deeply troubled, but glimmers of that brilliance are still there.
Over time, Steve Lopez and Nathaniel Ayers form a bond, and Lopez imagines that he might be able to change AyersÂ’s life. Lopez collects donated violins, a cello, even a stand-up bass and a piano; he takes Ayers to Walt Disney Concert Hall and helps him move indoors. For each triumph, there is a crashing disappointment, yet neither man gives up. In the process of trying to save Ayers, Lopez finds that his own life is changing, and his sense of what one man can accomplish in the lives of others begins to expand in new ways.
Poignant and ultimately hopeful, The Soloist is a beautifully told story of friendship and the redeeming power of music.
Willie Nelson: An Epic Life
by Joe Nick Patoski
from Little, Brown and Company
From his first performance at age four, Willie Nelson was driven to make music and live life on his own terms. But though he is a songwriter of exceptional depth - "Crazy" was one of his early classics - Willie only found success after abandoning
Red Headed Stranger made country cool to a new generation of fans. Wanted: The Outlaws became the first country album to sell a million copies. And "On the Road Again" became the anthem for Americans on the move. A craggy-faced, pot-smoking philosopher, Willie Nelson is one of
Now Joe Nick Patoski draws on over 100 interviews with Willie and his family, band, and friends to tell Nelson's story, from humble Depression-era roots, to his musical education in Texas honky-tonks and his flirtations with whiskey, women, and weed; from his triumph with #1 hit "Always On My Mind" to his nearly career-ending battles with debt and the IRS; and his ultimate redemption and ascension to American hero (2008)
A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties
by Suze Rotolo
from Broadway
A Freewheelin’ Time is Suze Rotolo’s firsthand, eyewitness, participant-observer account of the immensely creative and fertile years of the 1960s, just before the circus was in full swing and Bob Dylan became the anointed ringmaster. It chronicles the back-story of Greenwich Village in the early days of the folk music explosion, when Dylan was honing his skills and she was in the ring with him.
A shy girl from Queens, Suze Rotolo was the daughter of Italian working-class Communists. Growing up at the start of the Cold War and during McCarthyism, she inevitably became an outsider in her neighborhood and at school. Her childhood was turbulent, but Suze found solace in poetry, art, and music. In Washington Square Park, in Greenwich Village, she encountered like-minded friends who were also politically active. Then one hot day in July 1961, Suze met Bob Dylan, a rising young musician, at a folk concert at Riverside Church. She was seventeen, he was twenty; they were young, curious, and inseparable. During the years they were together, Dylan was transformed from an obscure folk singer into an uneasy spokesperson for a generation.
Suze Rotolo’s story is rich in character and setting, filled with vivid memories of those tumultuous years of dramatic change and poignantly rising expectations when art, culture, and politics all seemed to be conspiring to bring our country a better, freer, richer, and more equitable life. She writes of her involvement with the civil rights movement and describes the sometimes frustrating experience of being a woman in a male-dominated culture, before women’s liberation changed the rules for the better. And she tells the wonderfully romantic story of her sweet but sometimes wrenching love affair and its eventual collapse under the pressures of growing fame.
A Freewheelin’ Time is a vibrant, moving memoir of a hopeful time and place and of a vital subculture at its most creative. It communicates the excitement of youth, the heartbreak of young love, and the struggles for a brighter future.
Slash
by Slash
from HarperEntertainment
From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll
He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet.
The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility.
He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic Appetite for Destruction and Use Your Illusion I and II.
Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash's friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl.
It is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along.
He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver, Slash found an even keel by sticking to his guns.
Slash is everything the man, the myth, the legend, inspires: it's funny, honest, inspiring, jaw-dropping . . . and, in a word, excessive.
Clapton: The Autobiography
by Eric Clapton
from Broadway
“I found a pattern in my behavior that had been repeating itself for years, decades even. Bad choices were my specialty, and if something honest and decent came along, I would shun it or run the other way.”
With striking intimacy and candor, Eric Clapton tells the story of his eventful and inspiring life in this poignant and honest autobiography. More than a rock star, he is an icon, a living embodiment of the history of rock music. Well known for his reserve in a profession marked by self-promotion, flamboyance, and spin, he now chronicles, for the first time, his remarkable personal and professional journeys.
Born illegitimate in 1945 and raised by his grandparents, Eric never knew his father and, until the age of nine, believed his actual mother to be his sister. In his early teens his solace was the guitar, and his incredible talent would make him a cult hero in the clubs of Britain and inspire devoted fans to scrawl “Clapton is God” on the walls of London’s Underground. With the formation of Cream, the world's first supergroup, he became a worldwide superstar, but conflicting personalities tore the band apart within two years. His stints in Blind Faith, in Delaney and Bonnie and Friends, and in Derek and the Dominos were also short-lived but yielded some of the most enduring songs in history, including the classic “Layla.”
During the late sixties he played as a guest with Jimi Hendrix and Bob Dylan, as well as the Beatles, the Rolling Stones, and longtime friend George Harrison. It was while working with the latter that he fell for George’s wife, Pattie Boyd, a seemingly unrequited love that led him to the depths of despair, self-imposed seclusion, and drug addiction. By the early seventies he had overcome his addiction and released the bestselling album 461 Ocean Boulevard, with its massive hit “I Shot the Sheriff.” He followed that with the platinum album Slowhand, which included “Wonderful Tonight,” the touching love song to Pattie, whom he finally married at the end of 1979. A short time later, however, Eric had replaced heroin with alcohol as his preferred vice, following a pattern of behavior that not only was detrimental to his music but contributed to the eventual breakup of his marriage.
In the eighties he would battle and begin his recovery from alcoholism and become a father. But just as his life was coming together, he was struck by a terrible blow: His beloved four-year-old son, Conor, died in a freak accident. At an earlier time Eric might have coped with this tragedy by fleeing into a world of addiction. But now a much stronger man, he took refuge in music, responding with the achingly beautiful “Tears in Heaven.”
Clapton is the powerfully written story of a survivor, a man who has achieved the pinnacle of success despite extraordinary demons. It is one of the most compelling memoirs of our time.
Wonderful Tonight: George Harrison, Eric Clapton, and Me
by Pattie Boyd
from Harmony
A Q&A with Pattie Boyd, Author of Wonderful Tonight
Why are you writing the book now?
An iconic figure of the 1960s and ’70s, Pattie Boyd breaks a forty-year silence in Wonderful Tonight, and tells the story of how she found herself bound to two of the most addictive, promiscuous musical geniuses of the twentieth century and became the most famous muse in the history of rock and roll.
She met the Beatles in 1964 when she was cast as a schoolgirl in A Hard Day’s Night. Ten days later a smitten George Harrison proposed. For twenty-year-old Pattie Boyd, it was the beginning of an unimaginably rich and complex life as she was welcomed into the Beatles inner circle—a circle that included Mick Jagger, Ron Wood, Jeff Beck, and a veritable who’s who of rock musicians. She describes the dynamics of the group, the friendships, the tensions, the musicmaking, and the weird and wonderful memories she has of Paul and Linda, Cynthia and John, Ringo and Maureen, and especially the years with her husband, George.
It was a sweet, turbulent life, but one that would take an unexpected turn, starting with a simple note that began “dearest l.”
I read it quickly and assumed that it was from some weirdo; I did get fan mail from time to time.... I thought no more about it until that evening when the phone rang. It was Eric [Clapton]. “Did you get my letter?”... And then the penny dropped. “Was that from you?” I said....It was the most passionate letter anyone had ever written me.
For the first time Pattie Boyd, former wife of both George Harrison and Eric Clapton, a high-profile model whose face epitomized the swinging London scene of the 1960s, a woman who inspired Harrison’s song “Something” and Clapton’s anthem “Layla,” has decided to write a book that is rich and raw, funny and heartbreaking—and totally honest and open and breathtaking. Here is the truth, here is what happened, here is the story you’ve been waiting for.
A Personal Stand: Observations and Opinions from a Freethinking Roughneck
by Trace Adkins
from Villard
Country music superstar Trace Adkins isn’t exactly known for holding back what’s on his mind. And if the millions of albums he’s sold are any indication, when Trace talks, people listen. Now, in A Personal Stand, Trace Adkins delivers his maverick manifesto on politics, personal responsibility, fame, parenting, being true to yourself, hard work, and the way things oughta be.
In his inimitable pull-no-punches style, Trace gives us the state of the union as he sees it, from the lessons of his boyhood in small-town Louisiana to what he’s learned headlining concerts around the world. Trace has worked oil rigs in the Gulf of Mexico, been shot in the heart, been inducted into the Grand Ole Opry, and braved perhaps the greatest challenge of all: being the father of five daughters. And shaped by these experiences, he’s sounding off.
• I’m incredibly frustrated with the state of American politics. If there were a viable third party, I’d seriously consider joining it.
• If anybody wonders who the good guys are and who the bad guys are in this world, just look at the way we teach our children as opposed to the way the fundamentalist Muslims teach their children.
• Organized labor now exists for the sake of organized labor, and not for the workers it once protected.
• I believe the easiest way to solve the illegal immigration enforcement problem is to go after the employers who hire illegal aliens.
• As a society, we’re unwilling to sacrifice our luxuries and our conveniences in order to conserve. We won’t change until we’re forced to.
• The war on terror is like herpes. People can live with it, but it’ll flare up from time to time.
Brash, ballsy, persuasive, and controversial, A Personal Stand isn’t just the story of Trace Adkins’s life; it’s the story of what life can teach all of us.
Doris Day: The Untold Story of the Girl Next Door
by David Kaufman
from Virgin Books
Scintillating tales of fame, beauty, money, tragedy, sexual ambiguity, and sexual conquests.
Anecdotes about a vast array of major subsidiary players in Day’s life, including Ronald Reagan, Frank Sinatra, Alfred Hitchcock, Jimmy Stewart, Cary Grant, Charles Manson, Mickey Mantle, Candice Bergen, and Rock Hudson.
Instamatic Karma: Photographs of John Lennon
by May Pang
from St. Martin's Press
John Lennon is the most famously photographed Beatle—everyone from Iain MacMillian to Annie Lebowitz took iconic images of him—but there have never been pictures of him like these taken by May Pang, Lennon’s girlfriend from 1973 to 1975. In INSTAMATIC KARMA, they’re collected for the first time. With very few exceptions, these photos are that rare thing: never-before-seen images of an icon. The photos here show Lennon in a variety of settings: at work, at play, at home, and away. They show a playful Lennon, a casual, unguarded Lennon; they’re the kind of photos one lover takes of another. May has written rich captions to accompany her photos--taken together, they tell a simple story of the time May and Lennon spent together; a time, according to legend, when Lennon was unhappy and unproductive, estranged from his family and bandmates. Pang’s photos clearly tell another story—they show Lennon clowning around, working on his hit album “Walls and Bridges”, embracing old friends and family, hanging out in their apartment on Manhattan’s East 52nd Street, relaxing in the country in upstate New York or spending peaceful days swimming in the waters of Long Island.
The photographs in INSTAMATIC KARMA are both color and black & white, casual Polaroids and more composed shots. Each one is an intimate glimpse into a fascinating time in John Lennon’s life.
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