My Horizontal Life: A Collection of One-Night Stands
by Chelsea Handler
from Bloomsbury USA
You've either done it or know someone who has: the one-night stand, the familiar outcome of a night spent at a bar, sometimes the sole payoff for your friend's irritating wedding, or the only relief from a disastrous vacation. Often embarrassing and uncomfortable, occasionally outlandish, but most times just a necessary and irresistible evil, the one-night stand is a social rite as old as sex itself and as common as a bar stool.
Enter Chelsea Handler. Gorgeous, sharp, and anything but shy, Chelsea loves men and lots of them. My Horizontal Life chronicles her romp through the different bedrooms of a variety of suitors, a no-holds-barred account of what can happen between a man and a sometimes very intoxicated, outgoing woman during one night of passion. From her short fling with a Vegas stripper to her even shorter dalliance with a well-endowed little person, from her uncomfortable tryst with a cruise ship performer to her misguided rebound with a man who likes to play leather dress-up, Chelsea recalls the highs and lows of her one-night stands with hilarious honesty. Encouraged by her motley collection of friends (aka: her partners in crime) but challenged by her family members (who at times find themselves a surprise part of the encounter), Chelsea hits bottom and bounces back, unafraid to share the gritty details. My Horizontal Life is one guilty pleasure you won't be ashamed to talk about in the morning.
Somewhere in Heaven: The Remarkable Love Story of Dana and Christopher Reeve
by Christopher Andersen
from Hyperion
"Dana is my life force."
--Christopher Reeve
"A terrible thing happened. I wish it hadn't. But would I change who I married? Never."
--Dana Reeve
He was a hero in every sense of the word--the chiseled-from-granite star of four blockbuster Superman films and the romantic classic Somewhere in Time who, after being paralyzed in a freak horseback riding accident, became a symbol of hope for millions. Dana Reeve was no less heroic, standing steadfastly by her husband's side until his surprisingly sudden and unexpected death at age fifty-two. When Dana, a non-smoker, passed away from lung cancer just seventeen months after Chris's death, she left behind their thirteen-year-old son, Will, to be raised by friends and family. Dana was only forty-four years old.
That fate could have dealt such a cruel hand to this golden couple seemed unfathomable. That they could endure it all with grace, courage, and humor defied belief.
Yet for all the millions of words that have been written about their public causes and private struggles following Chris's accident, little is known about the lives they led as passionate young lovers. Now, in the manner of his poignant-yet-stirring bestsellers Jack and Jackie, Jackie After Jack, An Affair to Remember, The Day Diana Died, After Diana, and The Day John Died, No. l New York Times bestselling author Christopher Andersen draws on those who knew them best to examine in touching detail the Reeves' unique partnership and the romance, faith, and fortitude that defined it.
Sometimes heartbreaking, often uplifting, always compelling, Somewhere in Heaven is more than just a portrait of a marriage. It is the profoundly human story of two souls whose brief lives made a difference, a bittersweet saga of tragedy, triumph, and loss, and--above all else--a love story for the ages.
Doris Day: The Untold Story of the Girl Next Door
by David Kaufman
from Virgin Books
Scintillating tales of fame, beauty, money, tragedy, sexual ambiguity, and sexual conquests.
Anecdotes about a vast array of major subsidiary players in Day’s life, including Ronald Reagan, Frank Sinatra, Alfred Hitchcock, Jimmy Stewart, Cary Grant, Charles Manson, Mickey Mantle, Candice Bergen, and Rock Hudson.
Up Till Now: The Autobiography
by William Shatner
from Thomas Dunne Books
“It is now Bill Shatner’s universe---we just live in it.”---New York Daily News
After almost sixty years as an actor, William Shatner has become one of the most beloved entertainers in the world. And it seems as if Shatner is everywhere. Winning an Emmy for his role on Boston Legal. Doing commercials for Priceline.com. In the movie theaters. Singing with Ben Folds. He’s sitting next to Jay Leno and Jimmy Kimmel, and he’s practically a regular on Howard Stern’s show. He was recently honored with election to the Academy of Television Arts & Sciences Hall of Fame. He was a target on a Comedy Central’s Celebrity Roast entitled “The Shat Hits the Fan.” In Up Till Now, Shatner sits down with readers and offers the remarkable, full story of his life and explains how he got to be, well, everywhere.
It was the original Star Trek series, and later its films, that made Shatner instantly recognizable, called by name---or at least by Captain Kirk’s name---across the globe. But Shatner neither began nor has ended his career with that role. From the very start, he took his skills as an actor and put them to use wherever he could. He straddled the classic world of the theater and the new world of television, whether stepping in for Christopher Plummer in Shakespeare’s Henry V or staring at “something on the wing” in a classic episode of The Twilight Zone. And since then, he’s gone on to star in numerous successful shows, such as T.J. Hooker, Rescue 911, and most recently Boston Legal.
William Shatner has always been willing to take risks for his art. What other actor would star in history’s first---and probably only---all-Esperanto-language film? Who else would share the screen with thousands of tarantulas, release an album called Has Been, or film a racially incendiary film in the Deep South during the height of the civil rights era? And who else would willingly paramotor into a field of waiting fans armed with paintball guns, all waiting for a chance to stun Captain…er, Shatner?
In this touching and very funny autobiography, William Shatner reveals the man behind these unforgettable moments, and how he’s become the worldwide star and experienced actor he is today.
Losing It: And Gaining My Life Back One Pound at a Time
by Valerie Bertinelli
from Free Press
A Note to Amazon Readers (and a Q&A) from Valerie Bertinelli
Dear Amazon Customer, Glad to see you here and hopefully purchasing my book. I've heard if you buy multiple copies it's a better experience--a better one for me! But seriously, I'm usually on Amazon, too. I've been buying books through the site for ten years. I enjoy reading the reviews. I get a good sense of the book, and I like to hear what other people have to say. Like in a traditional bookstore, I can look at the cover, peek inside the book, and check out the bestseller lists. Valerie- Do you have a favorite character from a book? I love Scout and Atticus from To Kill A Mockingbird.
- If you can be any character from a book, who would you like to be? I would like to be Scarlett and I would let Rhett know how much I love him.
- How do you decide what next book you want to read? If it's for my book group, whoever hosts the next gathering picks the book, so it's picked for me seven out of eight times. But on my own, I read reviews and ask people whose taste I like what they're reading.
- Where's your favorite place to read? Either lying in bed or on the sofa next to the fireplace.
- What is your favorite genre? I don't really have one.
Valerie Bertinelli, then: bubbly sitcom star and America's Sweetheart turned tabloid headline and rock star wife. Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions.
We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show One Day at a Time, and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight.
Surprising, uplifting, and empowering, Losing It takes you behind the scenes of Valerie's acting career and marriage, recalling the comforts, friendships, and problems of her television family, her close relationships with her parents and brothers, the stress and worries of being the wife of a rock star, and the joys of motherhood. Like many women, Valerie often remembers the state of her life by the food she ate and the numbers on her scale. So despite her celebrity, Valerie's voice is so down-to-earth, honest, and appealing that you'll feel as if you're talking with a girlfriend over coffee. Funny and candid, Valerie recounts her attempts to maintain a healthy self-image while dealing with social pressures to look and act a certain way, and to overcome career insecurities and relationship problems, all of which will be familiar to the hundreds of thousands of women who struggle every day with these same issues.
From marital turmoil to the joys of a new career, from being named among Penthouse's ten sexiest women in the world to overhearing whispers about her weight gain in the grocery store, this is Valerie's inspiring journey as she finds new love, raises a terrific kid, and motivates other women as a spokesperson for Jenny Craig.
Home: A Memoir of My Early Years
by Julie Andrews
from Hyperion
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noël Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes
Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now.
In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny.
Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom.
Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond.
Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren.
Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.
Born Standing Up: A Comic's Life
by Steve Martin
from Scribner
At age 10, Steve Martin got a job selling guidebooks at the newly opened Disneyland. In the decade that followed, he worked in Disney's magic shop, print shop, and theater, and developed his own magic/comedy act. By age 20, studying poetry and philosophy on the side, he was performing a dozen times a week, most often at the Disney rival, Knott's Berry Farm. Obsession is a substitute for talent, he has said, and Steve Martin's focus and daring--his sheer tenacity--are truly stunning. He writes about making the very tough decision to sacrifice everything not original in his act, and about lucking into a job writing for The Smothers Brothers Show. He writes about mentors, girlfriends, his complex relationship with his parents and sister, and about some of his great peers in comedy--Dan Ackroyd, Lorne Michaels, Carl Reiner, Johnny Carson. He writes about fear, anxiety and loneliness. And he writes about how he figured out what worked on stage.
This book is a memoir, but it is also an illuminating guidebook to stand-up from one of our two or three greatest comedians. Though Martin is reticent about his personal life, he is also stunningly deft, and manages to give readers a feeling of intimacy and candor. Illustrated throughout with black and white photographs collected by Martin, this book is instantly compelling visually and a spectacularly good read.
Amazon.com Exclusive
Three Bonus Deleted Passages from Steve Martin's Born Standing Up
On Returning to Disneyland
Ten years later, after the Beatles, drugs, and Vietnam had changed the entire tenor of American life, I returned to the magic shop at Disneyland and stood as a stranger. As I looked around the eerily familiar room another first came over me, a previously unknown emotion, one that was to have a curious force over me for the rest my life: the longing tug of nostalgia. Looking at the counter where I pitched Svengali Decks and the Incredible Shrinking Die, I was awash with the recollection of indelible nights where the sky was blown open by fireworks and big band sounds drifted through trees strung with fairy lights. I remembered my youth, when every moment was crisply present, when heartbreak and joy replaced each other quickly, fully and without trauma. Even now when I visit Disneyland, I am steeped in melancholy, because a corporation has preserved my nostalgia impeccably. Every nail and screw is the same, and Disneyland looks as new now as it did then. The paint is fresh, and the only wear allowed is faux. In fact, only I have changed. In the dream-like world of childhood memories, so often vague and imprecise, Disneyland remains for me not only vivid in memory, but vivid in fact.
On Meeting Diane Hall
During the day, I attended Santa Ana Junior College, taking drama classes and pursuing an unexpected interest in English poetry from Donne to Eliot. I would occasionally assist on a college stage production--never appearing in one--as a member of the crew. Years later I was looking through a box of memorabilia and noticed a silk-screened playbill of the musical Carousel, May, 1964, which listed me as a stagehand. The lead actress was Diane Hall. Something connected and I remembered that Diane Keaton's name was once Hall, (hence, Annie Hall). I confirmed with her that she was in that production. Neither of us remembers meeting the other, yet we must have worked in proximity. More evidence that I was a wallflower. Decades later, we ended up "making love" on the floor of a movie set on Father of the Bride.
On the Kennedy Assassination
One Friday in 1963, I had finished a class and was about to drive to Knott's Berry Farm for the afternoon shows when I saw a clump of agitated students across the campus. I asked someone what was going on. "They're saying that the president's been shot."
I drove across town to Knott's and punched radio buttons. I could hear the scheduled programs clicking off and being replaced by live broadcasts. Assassination seemed so ancient and inconceivable, I was sure that someone would soon correct the erroneous report. President Kennedy died that day and I didn't know that news could be taken so personally by a nation. Sitting backstage, watching the Birdcage's black-and-white TV drone out the increasingly grave report, we were all mute. We assumed the performance that night would be canceled, but as show time neared, word came down that we were going on. We couldn't fathom why; we believed no one would show up, much less enjoy us. I still can't explain the psychology, why the very full house that night was able to roar with laughter. The obvious must be correct: our silly show was providing some kind of balm that soothed the ache.
In 2003 I hosted the Oscars on the particular weekend that the United States invaded Iraq. The news was grim and just hours before the show I flipped on the TV and saw a report, subsequently proven false, that our captive soldiers were being beheaded. I quickly turned the TV off, sick. I knew, from my experience forty years earlier with the Kennedy assassination, what my job was, and I harbored a secret knowledge that the audience would laugh. I also felt that soldiers who might be watching would be tuning in to see the Oscars and all its hoopla, not a cheerless comedian doing what he doesn't do best. I decided to acknowledge the circumstances early in the show and then get on with the jokes. The academy had announced that the show would "cut back on the glitz." I walked out for the opening monologue, took a look around the stage at the dazzling, swirling staircases, mirrored curtains and polished floor, and simply said, "I'm glad they cut back on the glitz." It got a laugh of relief and the show could go on.
More from Steve Martin
 The Alphabet from A to Y with Bonus Letter Z! |  Shopgirl |  The Pleasure of My Company |
|  Pure Drivel |
Praise for Born Standing Up
"[A] lean, incisive new book about the trajectory of [Martin's] life in comedy...Born Standing Up does a sharp-witted job of breaking down the step-by-step process that brought Steve Martin from Disneyland, where he spent his version of a Dickensian childhood as a schoolboy employee, to both the pinnacle of stardom and the brink of disaster...tightly focused...Born Standing Up is a surprising book: smart, serious, heartfelt and confessional without being maudlin." --Janet Maslin, The New York Times
"Absolutely magnificent. One of the best books about comedy and being a comedian ever written." --Jerry Seinfeld, GQ
"The writing is evocative, unflinching and cool. When Martin takes a scalpel to his life, what you feel is the precision of the surgeon more than the primal scream of the unanaesthetized patient...Born Standing Up is neither fanfare nor confession. It gives off a vibe of rigorous honesty. With lots of laughs." --Richard Corliss, Time Magazine
"A spare, unexpectedly resonant remembrance of things past…Martin's one true subject is the evolution of his comedy--the transcendent moments...A smart, gentlemanly, modest book…winning." --Jeff Giles, Entertainment Weekly, EW Pick: A
"A charming memoir tracking what the great comic characterizes as his 'war years.' Martin offers an eloquent and exacting account... [and] approaches his subjects with generosity, warmth and integrity." --Kirkus Reviews
"Sure to delight fans and create new ones." --Laura Mathews, Good Housekeeping
"What fun to discover the humble beginnings of some of his iconic personas...inspiring." --Rachel Rosenblit, Elle
"The archetypical story of the underdog's rise and a particularly American story...beautifully written, honest, engaging, and quietly brave." --Frederic Tuten, Bomb Magazine
"Son, you have an ob-leek sense of humor." --Elvis Presley
The Chris Farley Show: A Biography in Three Acts
by Tom Farley
from Viking Adult
Amazon Best of the Month, May 2008: You don't have to be a rabid Chris Farley fan to enjoy The Chris Farley Show, an honest, endearing oral biography about a truly funny, deeply troubled addict that is as likely to make you cry as it is to make you laugh out loud. Made up mostly of excerpts from intimate interviews with family, childhood friends, famous castmates, and writers, The Chris Farley Show is a vivid portrait of a performer, told plainly by the people who knew him best at every stage of his life. These hundred or so interviews piece together the complex back-story of a hugely talented, big-hearted guy who could make the funniest people in the business laugh with "just a look," but whose vulnerability and "puppy dog personality" charmed friends and family into letting him off the hook--preventing him from getting help when he needed it most. Funny and heart wrenching, The Chris Farley Show is a must-read for fans of Farley and of the people who loved him (including David Spade, Chris Rock, Tim Meadows), as well as anyone looking for a glimpse into life on the stage. --Daphne Durham
A biography of the Saturday Night Live star as told by his friends and family
No one dominated a stage the way Chris Farley did. For him, comedy was not a routine; it was a way of life. He could not enter a room unnoticed or let a conversation go without making someone laugh. Fans knew Chris as Saturday Night LiveÂ’s sweaty, swaggering, motivational speaker; as the irresistible Chippendales stripper; and as Tommy Callahan, the underdog hero of Tommy Boy. His family knew him as sensitive and passionate, deeply religious, and devoted to bringing laughter into othersÂ’ lives.
But Chris did not know moderation, either in his boundless generosity toward friends or in the reckless abandon of his drug and alcohol abuse. For ten years, Chris cycled in and out of rehabilitation centers, constantly fighting his insecurities and his fears. Despite three hard-fought years of sobriety, addiction would ultimately take his life at the tragically young age of thirty-three. Fame on SNL and three straight number-one box office hits gave way to a string of embarrassing public appearances, followed by a fatal overdose in December 1997.
Here is Chris Farley as remembered by his family, friends, and colleagues—the true story of a man who lived to make us laugh and died as a result. The Chris Farley Show is an evocative and harrowing portrait of a family trapped by addiction, a father forced to bury a son, and a gifted and kindhearted man ultimately torn apart by the demons inside him.
How to Make Love Like a Porn Star: A Cautionary Tale
by Jenna Jameson
from HarperEntertainment
When the stewardess brought me off the plane in a wheelchair, I lowered my head. I was too scared to even look at my father. I didn't want to see the disappointment and horror on his face. All that hate I had accumulated for him over the years, all the resentment against him for not understanding what I was going through, just released with the tears.
"So, where are your parents?" the stewardess asked me after a few minutes. "I can't wait here with you much longer."
I looked up and wiped my eyes. My father was standing ten feet away. He didn't even recognize me.
In the underbelly of Las Vegas, a cesspool of warring biker gangs and seedy strip clubs transformed the gawky, brace-faced Jenna Massoli into the bombshell Jenna Jameson. Today, Jenna Jameson is the biggest star in the history of adult movies, consistently ranked as one of the most beautiful women alive. But behind the glamour and the meteoric rise to fame was a path paved with tragedy and heartbreak. As a teenager drawn into a chaotic world ruled by rape, abuse, and murder, Jenna plunged into a downward spiral of addiction, even as she became one of the most photographed women in adult magazines.
Determined to overcome this past, Jenna rebounded in the adult-film business, where she encountered sadistic directors, experienced lovers of both sexes, amorous celebrities (from Howard Stern to Marilyn Manson to Tommy Lee), bitter rival starlets, and finally, glory, as she went on to become the biggest porn star the world has ever seen. But her struggle for happiness did not end when the accolades began. For years she wrestled with her resentment at her estranged father, the loneliness of growing up from the age of two without a mother, and her enduring childhood desire to find a man who could give her the security and love she never had.
Her unforgettable memoir is many things at once: a shocking sexual history, an insider's guide to the secret workings of the billion-dollar adult-film industry, and a gripping thriller that probes deep into Jenna's dark past. An unparalleled exploration of sexual freedom, How to Make Love Like a Porn Star ventures far beyond the flesh, into the heart-shredding tragedies and adrenaline-pumping triumphs of a woman who has already lived a hundred lifetimes. Always witty and humorous even as she faces the demons of her past, Jenna offers hilarious anecdotes about one of the most controversial businesses in history, and shares outrageous advice, including her ten commandments of dating and sex, how to become a "suitcase pimp," and how to make it in the business as a female (or a male).
Add to this never-before-seen photographs from Jenna's private collection and others taken exclusively for this book, and the result is certain to be one of the most talked-about books of the year.
The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
by Sidney Poitier
from HarperSanFrancisco
Sidney Poitier wrote The Measure of a Man: A Spiritual Autobiography because he "felt called to write about certain values, such as integrity and commitment, faith and forgiveness, about the virtues of simplicity, about the difference between 'amusing ourselves to death' and finding meaningful pleasures--even joy." Yet Poitier's book does not speak from on high; its tone is conversational and endearingly self-critical. He begins the first chapter by recounting an evening spent channel-surfing and wondering, as most of us do at one time or another, "What am I doing with my time?" The spiritual reflections in The Measure of a Man are nonsectarian; Poitier's faith is clearly influenced by his experience in Christian churches, but he is not, strictly, Christian. Though idiosyncratic, his faith is disciplined and rigorous, informed by leaders as diverse as Gandhi and Nelson Mandela. Poitier's love--for himself, his family, and the world--infuses his recollections of his early life on Cat Island in the Bahamas and his memories of his stage and film career (including his Oscar-winning role in Lilies of the Field). Poitier has been rich and poor; he has been popular and despised; and his extremely varied experiences have made him a wise man, as he demonstrates with statements like this one: "[W]hat we do is stay within the context of what's practical, what's real, what dreams can be fashioned into reality, what values can send us to bed comfortably and make us courageous enough to face our end with character."
"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
—Sidney Poitier
In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure—as a man, as a husband and a father, and as an actor.
Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.
Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.
Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits—his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.
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